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Using instruments like the theremin, contact microphones, and other gadgets, I weave together sounds, rhythms, and vibrations that invite both listening and movement, creating porous spaces where the audience’s imagination can unfold freely.
Guided by my BeingSonic method and the Japanese concept of Ma (the fertile space between things), I treat movement as sound, integrating it as part of the musical composition.
Explore the site to discover more about my work, my practice, and my trajectory.